Implication of Historical Criticism: Jewish Scripture or Old Testament

Written by John  Lee on the date of April 12, 1994


I. Why is doing historical criticism on traditions found on the Bible not always identical with interpreting Jewish Scripture or Christian "Old Testament"?

The priority in biblical interpretation of Jewish scripture and the Old Testament differ each other mainly  because the principal subject matter of Scripture within Judaism is the Torah, and that within Christianity is the Gospel of Jesus Christ.  Within Jewish scripture, torah, prophecy, and wisdom become key idioms of biblical revelation.  So Judaism debates the relation of torah to wisdom, or how the later prophecy provides commentary on the torah.  Christians inherit these idioms from Judaism; and in the written Gospels, Jesus is presented as one greater than Moses, the prophets, or Solomon, one who employs and fulfills each of these idioms in the age of Messiah.  It further raises questions of the relativism between law and wisdom, and law and Gospel.

            

We need to consider how other key idioms of scripture play an important role.  Within the divisions of Jewish Scripture we find blocks of literature associated with certain figures who are identified with particular idioms of revelation.  Moses is presented in association with Torah: At the end of Deuteronomy that says no prophet will arise who is superior to Moses guarantees that his account of the Torah cannot be supplanted by any later prophet claims.  Next we find the Prophets who do not know God face to face, but whose prophetic word is an idiom of revelation complementing the revelation of the Torah through Moses.  In 1 King 3:12, Solomon is presented as receiving the gift of wisdom from God, and he is described in language similar to that of Moses as the sage par excellence.  As the Mosaic books within scripture demarcate the essentials of the Torah and the prophetic books circumscribe the prophetic word, so the Solomonic books epitomize a divinely given wisdom (cf. Prov. 2:6; 30:1-6). By maintaining a sensitivity to the role of scripture in Judaism and Christianity, we can begin to describe how the context and intertext of scripture reflect a transformation of mere human words into a biblical witness to divine revelation.

            

Because of the human element in Scripture, we need valid and reliable evidences which enable us to establish the background of the authors and what the authors meant when they wrote of which the knowledge does not come from revelation.  The historical criticism deals with the problems of how the biblical books were historically formed with consideration of the form and function of scripture.  In doing historical criticism, we seek to hear the text, with internal and external criticism, apart from the mass of biblical interpretation that has been laid over it in the history of its use.  This basic respect for the historical integrity of a text sometimes causes difference with Jewish scripture or the Old Testament .

            

In the debate between liberalism and literalism, the form and function of the biblical text as a scripture within a religion has received surprisingly little attention, because the "realism of a text" had become associated almost entirely with the accuracy of its implied reference to the past historical events.  The modern method of literary interpretation has opened the door to a fresh debate about the primary norms of reality, and therefore, "realism."  The change in the intellectual climate of opinion regarding the relation between history and realism perhaps to explain why liberal historical critics have begun to re-evaluate more positively the role of editors in the formation of scripture.  A revision of our understanding  of the history of the interpretation of scripture was inevitable and the consequences for how we will play the Bible to commentary and preaching are startling.

            

There is always the possibility that a text which does not seem to have a literal sense for one generation may be viewed in a different light by another.  Nonetheless, the principle subject that the literal sense must envision the text as a witness to its subject matter corresponds to the most basic definition of the Bible as a scripture.  Our appeal to the Bible as scripture is not simply an arbitrary "functionalist" position, but claims to honour the actual form of the Bible itself.  Doing historical criticism enables us to reconstruct historical events in the pre-history of the Bible, however, we should not forget the form and function of scripture.

 

II. How can a knowledge of historical criticism prove helpful or essential to a modern understanding, whether theological or not, of scripture?

A helpful and essential way to understand Genesis is, first of all, a source critical method, the recognition and isolation of the component narrative strands of J, E, and P; and then form critical study of the origin and development of the smaller parts of the larger complexes and sources and the institutional setting of these identified units.  We also can get help through the literary critical method, which deals with the final form of text with literary sensitivity, within the framework of the text as Scripture, as the sacred collection of writings normative for communities of faith.  Other contemporary approaches include feminist's interpretation in chaps. 1-3 and in the ancestor stories in chaps. 12-50.

            

Gen. 1-11 will illustrate the interdependence of the sources.  Two blocks assigned to P are 1:1-2:4a and 5:1-28, 30-32.  When we read these two sections in sequence, the discrepancy between the two passages is immediately apparent.  Genesis 5 begins by recalling the creation of humanity in the divine image (1:26) and of the divine command to reproduce (1:28).  1:26ff. uses the noun "Adam" in its generic sense of mankind, whereas 5:1 employs it as a proper name.  The solution to this friction lies in the transition from generic term to a proper name which the J source had made in chaps. 2-4.  The link between the P and J material lies on a far deeper level than is generally assumed.  Both the form and content of P are shaped by the earlier sources.  The priestly genealogical formula in 2:4a, "these are the generations of the heaven and earth" is the introduction to the J account in 2:4bff, which makes it clear that J's account has been subordinated to P's account.  The formula can neither refer to P's prior creation account nor stand alone, nor refer to the next block of P material which follows in 5:1.  Therefore we should conclude that the priestly formula serves a redactional purpose of linking together the P and J creation accounts.  Moreover, the formula  in 2:4 must be on a different literary level from the Priestly creation account of which it is not an integral part.  We can notice, in chaps 1-2, that two different accounts have not been simply juxtaposed in Genesis as two parallel creation stories, but rather they have mutual influence between P and J material in the process of canonical shaping.

 

Prior to Enlightenment, it was assumed that Isaiah wrote the whole book of  Isaiah in the eighth century B.C.  The historical critical study of the last two centuries discovered that Isaiah 40-55 and 56-66 are collection of prophetic speeches dating to the second half of the sixth century B.C. and appended to chaps. 1-39 the bulk of which records the eighth century work of Isaiah of Jerusalem.  Chaps. 40-55 are easily dated.  The author assumes that his hearers in Babylon are aware that Cyrus II will conquer the Neo-Babylonian Empire.  This assumption was possible only after Cyrus deposed his sovereign Astyages of Media in 550 B.C. and conquered Croesus of Lydia in 547.  Therefore Second Isaiah must have been written afterwards. 

            

Isaiah's own version of the tradition influenced Second Isaiah.  Isaiah preached the decree of judgment he heard in the divine assembly (chap. 6), and the author of Second Isaiah  preached the decree of restoration he heard (40:1-11).  The Assyrian king had been the instrument of punishment for Zion (10:5-9) and the Persian king was the instrument of the restoration for Zion (44:24-45:13).  Second Isaiah also exploits several times the darkness-light sequence of 8:16-9:7 for exile-restoration; and also utilizes other traditions, for example of the new exodus-conquest tradition from Hosea 2 and Ezekiel 20.  By doing the source criticism and the form criticism we can easily detect logical inconsistencies, and what is typical and recurrent in Second Isaiah: idol passages (41:21-24) and four servant songs (42:1-4, 49:1-6, 50:4-11, 52:13-53:12).

 

Historical critical study recognized the association of Solomon with the books of Proverbs, Ecclesiastes, and Song of Songs as a later imposition on earlier traditions.   Judaism and early Christianity sought to interpret the Song of Songs  allegorically.  Cult theory proposes that the original function of the Song was ritual or cultic in close analogy to the Babylonian Tammuz festival or the Baal cycles of Canaanite myth. 

            

Form critical studies recognize that Song of Songs is partly a collection of older erotic love songs.  Many scholars conclude that the Song was in its earliest form, several distinct shorter poems, although there is disagreement about the number of poems comprising the whole.  Though Solomon is mentioned at a few places, the book begins and concludes in the first person voice of woman.  Only the title links Solomon to the book as the author and its conformity to a fixed editorial formula is a sign that we cannot trust it historically.  However, from this reason that the Song is attributed to a great sage Solomon, the Song, in my opinion, should be interpreted in the context of wisdom literature.  It is clear from the redactional addition of wisdom saying in 8:6-7, which does the role of climax of the Song.  In 8:6, "a raging flame" in Hebrew with emphatic "yah" ending suggests that love is the powerful divine passion.

            

Historical critical approach enables us to see the Song in a form critical method, and leads us to analyze and find similarities with Egyptian poems with import of secular love songs.  Literary critical reading of the Song may end up with a mere secular love songs, however, reading the Song within the framework of God's revelation enables us to find the divine nature in this secular love song.

 

III. Implications for my own preaching the Bible in a church

Preaching is an effort to interpret the literal sense of scripture according to the witness of its subject matter, the Gospel, and in the light of various biblical idioms of revelation: the law of God, God's promise and judgment, and the wisdom of God. Historical criticism is essential for our precise and scientific understanding of the grammar and etymology of the biblical text and give greater acuity to our programmatic vision of the scripture as a literal witness to divine revelation. However Scripture as the Church's collection of sacred and normative books goes beyond what the authors meant in a particular book.  Therefore critical biblical scholarship is not an option but a necessity for our preaching and the Bible study, but it should be done within the framework of God's revelation.


 

 

 

 

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